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Accomplished storyteller Ina R. Friedman's compelling video Escape Or Die: True Stories Of Young People Who Survived The Holocaust vividly presents three powerful, dynamic, first-person stories of young teenagers who survived the Nazi Holocaust against all odds. There is Many, age 14, caught in the violence of Crystal Night and who witnesses his home and family shattered (11 minutes); Renee, age 13, orphaned by German atrocity, who attempts to hide and feed her three siblings (12 minutes); Robert, age 13, suffering from horrific deprivations and the ever present threat of the Nazi death camps, who escapes to fight in the Warsaw Ghetto uprising (21 minutes). Escape Or Die is a truly resounding testimony to human strength and enduring courage against utterly unspeakable, genocidal horrors, and offering intensely personal viewpoints to a chilling era of twentieth century history. Escape Or Die is a very highly recommended and welcome contribution to Holocaust studies collections and especially suited to young viewers ages 6 and older. Total Running Time: 44 minutes.

beautiful, realistic and true to the situation..a good rea

How My Parents Learned to Eat is a tremedous book for young readers. It has the spoof, romance, and differences in cultures that many will enjoy, young and old. Involving a young Japanese schoolgirl and an American soldier in Japan, How My Parents Learned to Eat, is a story that involves the idea of resolving differences, and how much a single try can count.

"How My Parents Learned To Eat" presents Japanese and American cultures in a story. The readers read about the cultural values through a little girl's first person narrative. From her telling, the readers will understand Japanese customs in its cultural context, such as bowing for greeting and drinking soup from the bowl. These concepts may be foreign or even funny to Americans who are unfamiliar Japanese culture. The author, however, successfully weave elements from both Ameriacn and Japanese cultures into the story. The respect for both Japanese and American cultures is also evident in the book. Not only did the mother (Japanese) want to learn the Western way of eating, but the father (American) is also willingly to learn the Japanese way of eating. So, in the end of the story, the little girl says again, "That's why at our house some days we eat with chopsticks and some days we eat with knives and forks" (p. 32).

This story is narrated by a bright little girl who describes how her parents met and adapted to one another's cultures. A bright, beautiful child, the girl is blond like her American father and has beautiful Asian features she inherited from her Japanese mother. She tells the story of how they came to sit at the family table.

An American sailor meets a woman in Japan and is instantly smitten. Their attraction is mutual; however each worries about being able to adapt to the other's culture. The sailor learns to eat with chopsticks and the woman in turn learns to eat with a knife, fork and spoon. She approaches her grandfather, a kind, scholarly man who teaches her the British way of handling western utensils. Still she worries because her finace is American.

They meet again; their transcultural love shows they really have more common grounds than differences. Each is moved by the other's willingness to learn the other's culture and the results are heartwarming indeed.

Their daughter joins them and all readers at the Table of Brotherhood which once again proves that people really have more in common than they do differences.

This is such a wonderful book. I love it! I think it belongs in all homes and classrooms because it is an excellent example of cultural harmony and pride.

I was extremely impressed by the amount of useful information available in this book. Unlike some less-valuble sources, it was not an advertisement for any beauty product line, but rather a comprehensive guide to non-surgical cosmetic enhancement. It contains valuable information for anyone exploring the vast array of non-surgical cosmetic options available today.

I always said that I'd NEVER get plastic surgery, but since time has marched on and wrinkles have sprung up, I've started looking for ways to beat them without going under the knife (or getting creepy Botox injections).

Dr. Victor's book was very informative and easy to read. It gave me a lot of ideas about things I could do that would make my skin look younger and help beat wrinkles. They're nearly all non-invasive and don't require much recovery time. It even talked about procedures to get rid of liver spots and varicose vein, which I've started to notice on my legs.

For a curious reader, this book will make you much more relaxed and informed about different procedures that a dermatologist can do for you. I will be making an appointment soon thanks to this book.

I am impressed by the way the stories have been presented--simple yet moving. It talks about the "what might have beens" of childhood and "what we want to happens" of adulthood. It depicts childhood as a guiding post towards the rough path of parenthood.

It's a book that parents and non-parents should spend time with.

I bought this book for a couple of dollars and that's what I expected when I went to read it. But that is not at all how it turned out! I really enjoyed the book, I finished it in one evening. There is everything from joy and happiness to sadness and heartbreak. If you have a couple extra hours I would recommend this book.

This book allowed me to see in my mind the horror of WWII and how yet these real characters managed to keep things real. It is a good read.

Jaap polak came to my school,and the name of my school is Bay Ridge Prep.And allso he did do a marvlise job i realy like him.

A well researched mid 19th century histrory of two Ghanian Princes who are sent to be educated in Holland only to encounter the depths of prejudice, a prejudice which is unspoken but a governing fact. Truly accepted by a few, a novelty for many, with no one willing to acknowledge the truth. It is a miracle that today Kwashi Boachi has decendants who can know the story of their forebearer and be proud of him as a caring, sensive human being. While the early part of the book was a bit slow, I found myself wanting to learn the story of the cousins lives and the truths these lives speak to us.

Mr. Japin has succeeded on all fronts with a thorough and powerful chronicle as he assumes the voice of Kwasi Boachi, an Ashanti prince who embodies mockery for the sake and hope of belonging.

The world of Kwasi Boachi, though set in an era apart, stays true to the current reality of Black existence worldwide. You may be a Black prince. You may be a Black slave. At either extreme, you, especially as a Black man, remain far below the worthiness of simple human consideration, and as such can without conflict be at once Prince Nobody and Slave Nobody. Of course, this worldview of Blacks, while tightly upholstered, does not represent an uninterrupted fabric. No man-made construction could be so perfect neither in its evil nor in its goodness. There are right-thinking men and women of all colors who do not subscribe to lies and low thoughts on this matter.

Nevertheless, in the Black case, the fabric retains an amazing consistency under its disguise as an end unto itself. However, the real game is and has always been power and money, not color. Race, however, is probably the most convenient distraction used to establish a hierarchy complete with the areas of high and low pressure necessary for fierce winds to blow. How powerful and perceptive the author's summary in opening the book: Color is not something one has, color is bestowed on one by others.

Kwasi Boachi and his friend Kwame were, in different ways, blind to this fact. Kwasi makes the fatal mistake of attempting to prove his humanity to people who are impervious to believing or acknowledging it. His lifelong friend, Kwame, makes the fatal mistake of fully trusting a romantic notion of culture, not realizing that his notion was incomplete, consisting of only those cultural elements that did not threaten a broader power structure. Gestalt is ugly.

Look at how this tragedy played itself out in the book and think of today's dramas in parallel. Kwasi and Kwame discover that being Black means being treated extraordinarily - extraordinarily badly or extraordinarily well, but never simply as another human being of equal standing. Worse, while the bad treatment has its obvious ill effect, the evil of good treatment manifests itself so subtly as an undertone to a warm embrace.

What is the evil present in good treatment? Well, if a Black man is held up as a marvel, it is because of the shocking truth that a monkey can read, write, and perform human tricks. If he is congratulated, it is patronage that at its height of sincerity merely approaches the professional protocol that demands recognition of obviously uncommon deeds. At its depth see Tiger Woods and Fuzzy Zoeller for a prime example:

"That little boy is driving well and he's putting well," Zoeller said. "He's doing everything it takes to win. So, you know what you guys do when he gets in here? You pat him on the back and say congratulations and enjoy it and tell him not to serve fried chicken next year. Got it?" Then, as he was walking away, Zoeller snapped his fingers and added, "Or collard greens or whatever the hell they serve."

This is the sentiment that says, "Wow, the monkey plays golf like a champion!" and gives new meaning to "greens fees". Racial prejudice is a distraction, an effective tool for stifling productive exchange and maintaining artificial but profitable differences between people. The masses of white people who maintain this system unwittingly are not compensated to the degree of their cooperation. Their pay has traditionally been "Thank God you are better than the Negro". Hardly negotiable but yet strangely satisfying. And, by definition, Blacks aren't compensated for submission - these days taking the form of inferiority complexes and sham rebellions. Now, while we both argue, someone is smiling on our trivia and counting white, black, brown, and Green money in neat, non-discriminatory stacks.

Racism alone cannot defeat a people - not by far. But, we would be silly not to recognize it for what it is and for what it does. The Two Hearts of Kwasi Boachi is a telling microcosm, and, in that, is much larger than black and white. However, given the role of race in public discourse, I thought it worth taking time with the racial surface of this book.

Riveting book that tells a story that goes far beyond the straight forward facts of the events of the Rabin assassination. It is the trenchant story of how extreme religiousity and extreme nationalism blend into a murderous brew that puts the right wing of Israel above the law and the national pursuit of and interest in a negotiated peace with the Arabs. This book is a must read for - and a clear warning to - anyone with a nostalgic sympathy for the religious community of Israel. The extreme religious right of Isael is centered on an absolute belief in the corectness of their path - and it grants no legitimacy to any other political views. In such a community murder becomes a righteous act rather than the most heinous of criminal offenses. This is a well written and outstanding contribution to understanding the the complex political and religious society of Israel.

This is a gereat book. As a lvoer of Israel I was always appalled by the Yigal Amir's of this world. This book gives great context to the more fanatical nationalist elements in both Israel and regrettable here in the United States. I never thought I owuld ever see the day when bogus Rabbis would issue a "fatwa" on a Prime Mnister's life. yet Jacob Hecht essentially did that. Unfortuantely the debate in Israel (has anyone seen the Knesset in action?) is loud, vituperative, vulgar and shrill. I am also aware of conspiracy theorists ont he web, people who are trying to exonerate the mystagogical settlers from teh murder. This is baloney and worthy of an Oliver Stone. Unfortunately politcal/physical violence against fellow Jews is not unheard of: the Arlosoroff Affair, the Altalena affair; the murder of Emil Grunzweig in an anti-Lebanon war demonstration in 1982 and of course the Rabin murder. The fact that some insane people here and in Israel are calling for a pardon for Amir is very disturbing. If you hate fanaticism as I do, this book becomes despite its superb writing and research - a painful read.

This terrific book was an easy read, and managed to weave together many seemingly apparent notions in a manner no one has yet done about the relationship between the assasination of Rabin and the political right in Israel. Yet it also tells the greater story of how the small religious right minority in Israel has slowly begun to leave its mark on Israeli society at large, while using the very government and democratic tools they reject. While this book is a must read for anyone living in Israel or interested in the political situation there, it has great value for Americans (a chapter is devoted to right wing supporters of Israel in the United States) and freedom loving people everywhere. Serious dangers exist when people attempt to gain power democratically while preaching that their ways are the ways of God (with the implication that all others are the ways of non-believers). The chaos that can take place as these groups gain power is apparent from such disparate places such as the United States, Israel, Algeria and Iran, to name a few. This book seriously details the steady erosion to Israel's once vibrant, but now teetering, democracy that has resulted from the rise to power of these would be despots. The terrible situation that exists in Algeria and Iran, partly due to the rise of such groups, is clear. One can also see the clear link between these groups in Israel and those who would bomb abortion clinics, burn black churches, deface synagoges, bomb federal buildings, and commit other similar acts of domestic terrorism and intimidation in the United States.

I like the designs, but the total black and white with tiny blocks makes the patterns hard to read. The designs are good, but lacking in color, so if you feel like playing around with them a bit, this is a great book - especially considering the price. Otherwise, I'd probably recommend staying away from it and going with a more expensive, though much more readable and more colorful alternative.

This book has many different designs available. The designs can be a bit small, and a bit difficult to read. I highly recommend taking these charts and enlarging them before starting work on them. There are a great variety in designs, some will take a while to complete, while others can be completed in much less time.

WOW! For the price this book is absolutely wonderful. All the patterns are in black & white, but it's still just as useful as most of the $...-$... celtic cross-stitch books.

Sure some of Family Style's recipes are basic-- but that's Ina's style. A direct quote from one of her books states that her food is " familiar, but better than you remember". Her first two cookbooks contain the most basic of basic recipes-- things like Roast Chicken, Lemonade, Apple Crisp, Chocolate Cake, Apple Cider, and even a cup of Coffee are all included. How is that so different from Iced Tea, French Toast and Blueberry Muffins? The answer is, it's not. Ina's recipes are hardly, if ever, outlandish. She works at writing recipes for good tasting, approachable, cook-friendly food. That's the point of her work. The food isn't poles apart from food most of us grew up with (other than the fact that it's a hundred times tastier)-- but should she put goat's cheese in her fish and chips, so that she could claim her recipes "different"?

I personally think Ina to be a terrific cookbook author. I've tried several recipes from her newest book-- Thumbprint Cookies, Banana Sour Cream Pancakes, and Chicken and Biscuit Stew to name a few-- and, as I expected, all were terrific. And when it comes down to it, that's all I expect from a cookbook.

I don't normally write in to review books, particulary cook books, but this one is an exception. I am an avid gourmet cook and I'm always looking for new cookbooks. However, I hate investing in them because I usually only end up making one or two recipes out of each book and it feels like a waste of money. Within two weeks of getting the Barefoot Contessa book, I had made almost half of the recipes - to raving reviews from family and friends.

The recipes are easy and fabulous and they can easily be served for a low-key family dinner or a special dinner with company. While they could be considered gourmet, none of the recipes call for exotic ingredients which means everything is already in your pantry or readily available at the grocery store. What I particularly like is that Ina offers menu suggestions in the back of the book so all of the planning is already done for you.

Most importantly, this book is family friendly. There is a section devoted to children's food including favorites like Mac and Cheese and Chicken Fingers. However, my girlfriend's 2-year old couldn't get enough of the Shrimp Scampi (one of the "adult" recipes) and that was enough to get her to buy the book too.

I highly recommend this book for anyone looking for easy, delicious recipes for all kinds of occassions.

I absolutely love this book! The recipes are entirely in keeping with the title... these aren't fancy or earth-shattering innovations, so people who thrive on that may be disappointed (I seem to notice a trend among some of the reviewers who have posted). They're just really wonderful versions of honest, straightforward food. The recipe for chicken and biscuits is the best I've ever made, the chicken soup is outstanding, the roasted winter vegetables are lovely, and the mashed potatoes and gravy are absolutely sinful versions of old favorites.

As I'm sure you can gather from the previous list, these are recipes for things that you probably already know how to make... it's just that they're absolutely superlative versions of those things. (Much like the chocolate pudding from her Parties! book, if anyone has tried making that: it's just chocolate pudding, after all, but it's heavenly).

So here's my advice: if you're convinced that you already have the perfect recipe for every standard dish under the sun, this book isn't for you. If, however, you love good food and are willing to contemplate the idea that classic dishes could be even better, give it a try. I don't think you'll be disappointed. Furthermore, I think that this would be a wonderful wedding gift or gift to someone who's just starting out: why not begin life with a collection of wonderful recipes for comfort foods?